#and should also not have their art sold to ai

[mrvelocipede]

HA HA, I will thwart the AI training because no one in the history of the world has EVER wanted art in my style, all it will do is contaminate the data, SO THERE

[probablyanalienindisguise]

my favorite thing is explaining to people one of my favorite fictional characters is an entire fuckinh spaceship who is also in a love-hate relationship with another ai

[derinthescarletpescatarian]

The big book FAQ for Derins books

I've been asked all of these questions so very many times, so here's the answers.

Can I print out and hand bind your story?

What you do with my story in your own damn house is none of my business. Buy the ebook and hand bind it if you want (it's probably cheaper than buying the print book, and I make more money on ebook sales, so win-win). Painstakingly copy and paste and edit the chapters for free from the free online version, if you prefer. So long as you're not selling copies to people, what you do with the book when it's yours is your business.

Send me photos if you want. I've seen some rad homebound copies of my stories and I want to see more. You guys are so creative.

Can I translate your story to another language for a school assignment/personal project?

Yes.

Can I make an audio version of your story and post it online?

So long as you link back to the original text version, yes.

Where is the first TTOU book available in print?

It's available in these places. It will be available through Ingram and Amazon's various networks, so expect it to show up in more digital storefronts over the next week or so. Or your local bookstore can very likely order it in for you, if you ask them.

Will the free version of TTOU stay online?

Same as Curse Words, I will not be taking down the unedited first draft that's currently online any time soon. However, I also won't be putting any special effort into maintaining existing links to it.

If I want to give you the largest royalty cut, which version of your book should I buy?

Buy whichever version is most convenient for you. The ebook and print versions exist because readers asked for them to exist, not because I expect to make money from them.

I make the most from the ebook versions, particularly if you buy through Smashwords, but the best way to support me is through ko-fi, where you can get advance chapters for the books I'm currently writing, not through book purchasing.

Your cheapest option for the books, paperback and ebook, is through my ko-fi shop, where distributor markups can be avoided. But paperback supplies are currently very limited via this method.

What really happened at the end of Copy <|> Paste?

I said everything I want to say in the story itself.

What is [fictional character or society]'s opinion/future/history/custom with regard to --

See previous answer.

Are any of your books going to be released as audiobooks?

Probably not. Fairly compensating audiobooks readers is very expensive and I won't be making AI versions.

When will the Curse Words books be sold in print?

When the art for them is ready.

What's your opinion on [latest drama or scandal surrounding a different writer]?

This is probably the first I'm hearing of it, I have no relevant information about the issue to share with you.

Should I message you about typos found in the free online drafts of your work?

You can if you want to, but if the typo doesn't interfere with story clarity, I'm probably not going to bother with it until it's time to edit the story for print.

[elumish]

My Experience With Digital-First Royalty-Only Publishing (Part 2)

Disclaimer: just my experience, may not reflect other people's

Part 1 (What is this sort of publishing; how did I get published; what does the submission, contract, and editing process look like)

Book Release:

My [redacted] book came out in April 2024. It is available on Amazon, Barnes & Noble, and the publisher's own website, where it is listed for a couple dollars less than on Amazon/B&N. It's available both digitally (in multiple different file formats) and for print (paperback).

I can't speak for whether this is standard across these sorts of publishers, but it probably isn't unusual. This does mean that the book can't be available on Kindle Unlimited, given how Kindle Unlimited's requirements work.

The timing for this sort of publishing is extremely fast compared to traditional or even small-press print publishing. I signed the contract in late August 2023 and sent in the final draft to my editor in late October 2023, and the book was released in late April 2024.

Book cover:

For designing my book cover, they pointed me towards where they pull stock images from and asked me to describe the sort of cover I would want, including possible stock images. They also asked for physical characteristics of my characters, which is when I realized that I had no clue what my characters look like.

The stock image website included AI art, as well as regular non-AI stock images. I specifically requested no AI art, including no AI-generated stock images. As far as I am aware, they respected that request.

Once they created one, they sent me a mock-up and asked about minor changes (typography, etc., from what I remember). I didn't have any changes. Overall, my cover looks like what I described to them, and I'm really happy with it.

Marketing:

My marketing experience with my publisher has been decidedly underwhelming. They seem to have started to revamp their marketing process right around when my book came out, so my book didn't receive/hasn't received a huge amount of marketing support from them.

What they gave me marketing-wise: a few marketing images for pre-release/post-release, including Twitter and FB header images, etc.; general marketing guidance for what I could/should be doing; a couple of mentions on their publisher Instagram post-release and a mention in their weekly newsletter

What they didn't give me marketing-wise: connection to reviewers, including sending an ARC or providing a list of reviewers that might be good to work with; marketing materials for sites like TikTok or Instragram; a meaningful amount of airtime/mention on their accounts; a large following of their own

Overall, the marketing is what is probably most like self-publishing--a huge amount of it is on me (and I am terrible at it). It will be interesting to see what their revamp brings, but they are starting from a minimal following and not a lot of previous activity on their accounts, and so they also need to build their reach to make their marketing on their accounts more effective.

Royalties/payment:

I get paid on a monthly basis through PayPal. I also receive a royalty statement that lists days, amount/type sold, etc. so I can reconcile with what they have paid me. From what I have seen this royalty statement is pretty standard.

So far, they've been prompt and haven't had issues with payments.

However, because of (among other things) their general lack of marketing, my royalty statements have been fairly low. So far (and, granted, the book came out less than 2 months ago) I have made very little money on this.

My Path Forward:

I've thought a lot about whether I will continue to do this sort of publishing. I am currently querying my "main" books, and I don't plan to publish them through this sort of publishing, even if the publisher would likely accept them.

My contract stipulates that my publisher has right of first refusal for the rest of the books in this series. I am currently writing book two, and I plan to also write a third, as I had initially discussed with them. Beyond that, I'm not sure. I don't mind working with them as a company, but I don't know if they have the processes in place for me to make money publishing with them.

One thing I will likely do is explore other romance publishers that accept unagented submissions. They have a much lower barrier of entry and they are often willing to accept books that trad publishers might not want to spend money/reputational risk on.

As such, I would likely submit to these publishers stories that I don't think traditional publishers/agents would likely to be willing to publish, including more niche subgenres and less standard lengths that are easier to publish digitally.

Why do I redact the name of my book?

Honestly because I'm a coward and because people are weird about romance, especially certain subgenres of romance. I also plan to use this account for my main agented publishing, if I ever reach that point, and I don't necessarily want those two pen names associated.

Any other questions about this sort of publishing?

[see-arcane]

I figured I should interrupt everyone's dash for some notes on current real life things.

This is a hefty one, so I'm tucking everything below:

A little good news. As of this writing, I’ve sold 74 copies of The Vampyres, in eBook and paperback! That’s 74 more than I thought I would ever sell! Thank you to everyone who picked up a copy or asked your library to grab some. Especially when I know I haven’t been the most stellar self-marketer. I can’t remember the last time I opened the septic tank formerly known as Twitter, so it’s all been down to this little corner here and a skinny appearance in Goodreads. Which means I owe any attention this short and sinister tale has received to you all and plain old word-of-mouth.

That said, thank you x100000 to you and any new readers yet to take a look. (And doubly so for those of you who go out of their way to leave comments and reviews around for me to reread ad infinitum.)

For those not in the know, all the info on The Vampyres can be found here, and all my author odds and ends can be found on my website here.

On a less heartening note…

As I’d already expected, the market for career writers is…rough. Copywriting—and writing in general—is technically a big open field (full of caveat descriptions about having to work with/teach AI programs to eventually swallow your job)! Tons of open positions! Most of which either pay you in pocket change while you’re working full time or expect you to singlehandedly run the entire marketing of a business for slightly more pocket change. Everything else is bloated with contract and/or freelance work*.

*Read: Gig economy schlock trying to pass for an actual job position with payment being a coin toss. I’ve also seen one too many listings on the job boards that are volunteer positions. Plenty of exposure to rake in though, right? Ha. Ha ha.

I’ve still been applying like clockwork, same as the rest of my fellow creators trying to get by in a field that seems to actively punish trying to be a professional in said field, and still no bites further than an interview. I have years of experience and a degree, but everyone’s chasing the same crumbs, so. Yeah. I’ve got to start padding things out.

Reminder that I do have a (barely peddled) Ko-Fi. It’s there for art commissions and chucking a few spare bucks at. Which is an increasingly big ask these days, I know. You can’t scroll two posts down without hitting someone else’s Ko-Fi, Patreon, GoFundMe, Kickstarter, et cetera. We’re drowning in arting starvists here. And although I have been asked before whether I would consider going full Freelance Storywriter on top of selling art, I’m still a little hesitant on it. I do occasionally send out story submissions and have even gotten published a few times, but I get nauseous thinking about:

1) Putting up a paywall on the scribbles that assail me like a baseball bat wielded by an unmerciful Muse. 2) Putting up a ‘Stories for Sale!’ sign only to wind up disappointing prospective buyers because I didn’t do their blorbos justice even after researching X background for the piece. 3) Getting duped into being a nonconsenting ghostwriter and discovering someone else has published my work under their own name.

So, still a bit iffy on that. I’ll chew on it. But what else is left?

Before you click the button!

Stop!

NOT YET!

Before you click, please know that I am being serious about this as something to potentially make 1) something of good quality and 2) earn more money than it loses. Looking around at the merch-making/selling options, there are fees involved with making an account just about anywhere in the online store game, give or take the price tweaking needed for shipping and manufacturing blah blah blah.

With that in mind, please do not automatically hit ‘yes’ because you want to be nice. I appreciate it, but this isn’t the same thing as the Ko-Fi where there’s no real loss in just leaving it up and drawing something once every few months. This will take new designs, another subscription to pay for, more logistics to untangle for quality and pricing and all the rest of the mess. Only hit ‘yes’ if you, personally, genuinely, would like to purchase some nefarious See Arcane wares beyond a book or a digital drawing.

[parageist]

OPENING COMMISSIONS!!

(I know a lot of people in way more destitute scenarios offering commissions, and I am well-off without them, so please consider spending your money on someone who needs it to survive! But as a middle-class, unemployed, autistic trans girl who recently turned 18 and is expected by my parents to get a job soon to continue living here, I would desperately appreciate any sort of income possible!)

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All Prices in USD, pay via PayPal - Please pay at least 50% upfront, thank you!

-Basic lineart + coloring for a 720x480 or 480x800 panel: $10 (+$5 per extra character)

-Lineart + coloring + shading + effects + background for a 800x1280 or 1280x720 comic-page-sized drawing: $30 (+$20 per extra character)

-Purely landscape/environmental with no characters, 1280x720: $25 (though depends on the complexity)

There’s no set time or schedule for me, so it could take anywhere between a few hours and a few weeks for me to finish, depending on mental health, work, other activities, etc., but you may ask for a 50% refund if it takes me more than a month. If I am unable to finish the piece for whatever reason, I will offer a full refund. Please don’t rush me or change your instructions after I’ve started it. Thank you!

Anything you commission from me will be subject to my copyright and will be posted publicly (UNLESS IT IS NSFW), however you are allowed to also post and use it in any way UNLESS that way involves harassment, discrimination, to be directly sold or used for your own product(s), training any sort of AI models, or claiming ownership over my art.

Oh yeah and feel free to just DM me if you want a commission, though I'm not the most active at times lol

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I’ll try drawing pretty much anything, but there are some disclaimers I should make:

Things that I am not necessarily adverse to drawing, but my lack of experience in the specific subject may result in the process taking much longer and/or the result being of lesser quality than my other work: -Drawing outside of my normal artstyle -Furries -Animals -NSFW -Complex designs, vehicles, mechs

Because of this, you may request the price to be 20% off if it includes the above.

And these things are completely off the limits for obvious reasons: -Any art that is hateful or discriminatory in any way -Art made to harass someone -Fetish content -NSFW of minors, non-anthro animals, non-consensual encounters, and/or incest -Heavy gore, maggots, feces, and other disgusting stuff

Oh yeah and PLEASE DO NOT commission anything NSFW from me if you are a minor!!!!!

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!!!ALSO!!! I likely can only handle no more than 8 commissions at a time, but I will have the available slots in my bio.

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Here is a bunch of other random drawings and comic pages I've made!

I'll likely make an updated version of this later lol

Please reblog and share to help get a young artist started in their life! Any support is greatly appreciated, have a fantastic day!!

[scifigeneration]

AI isn’t what we should be worried about – it’s the humans controlling it

by Billy J. Stratton, Professor of English and Literary Arts at the University of Denver

In 2014, Stephen Hawking voiced grave warnings about the threats of artificial intelligence.

His concerns were not based on any anticipated evil intent, though. Instead, it was from the idea of AI achieving “singularity.” This refers to the point when AI surpasses human intelligence and achieves the capacity to evolve beyond its original programming, making it uncontrollable.

As Hawking theorized, “a super intelligent AI will be extremely good at accomplishing its goals, and if those goals aren’t aligned with ours, we’re in trouble.”

With rapid advances toward artificial general intelligence over the past few years, industry leaders and scientists have expressed similar misgivings about safety.

A commonly expressed fear as depicted in “The Terminator” franchise is the scenario of AI gaining control over military systems and instigating a nuclear war to wipe out humanity. Less sensational, but devastating on an individual level, is the possibility of AI replacing us in our jobs – a prospect that would render most people obsolete and with no future.

Such anxieties and fears reflect feelings that have been prevalent in film and literature for over a century now.

As a scholar who explores posthumanism, a philosophical movement addressing the merging of humans and technology, I wonder if critics have been unduly influenced by popular culture, and whether their apprehensions are misplaced.

Robots vs. humans

Concerns about technological advances can be found in some of the first stories about robots and artificial minds.

Prime among these is Karel Čapek’s 1920 play, “R.U.R..” Čapek coined the term “robot” in this work telling of the creation of robots to replace workers. It ends, inevitably, with the robot’s violent revolt against their human masters.

Fritz Lang’s 1927 film, “Metropolis,” is likewise centered on mutinous robots. But here, it is human workers led by the iconic humanoid robot Maria who fight against a capitalist oligarchy.

Advances in computing from the mid-20th century onward have only heightened anxieties over technology spiraling out of control. The murderous HAL 9000 in “2001: A Space Odyssey” and the glitchy robotic gunslingers of “Westworld” are prime examples. The “Blade Runner” and “The Matrix” franchises similarly present dreadful images of sinister machines equipped with AI and hell-bent on human destruction.

An age-old threat

But in my view, the dread that AI evokes seems a distraction from the more disquieting scrutiny of humanity’s own dark nature.

Think of the corporations currently deploying such technologies, or the tech moguls driven by greed and a thirst for power. These companies and individuals have the most to gain from AI’s misuse and abuse.

An issue that’s been in the news a lot lately is the unauthorized use of art and the bulk mining of books and articles, disregarding the copyright of authors, to train AI. Classrooms are also becoming sites of chilling surveillance through automated AI note-takers.

Think, too, about the toxic effects of AI companions and AI-equipped sexbots on human relationships.

While the prospect of AI companions and even robotic lovers was confined to the realm of “The Twilight Zone,” “Black Mirror” and Hollywood sci-fi as recently as a decade ago, it has now emerged as a looming reality.

These developments give new relevance to the concerns computer scientist Illah Nourbakhsh expressed in his 2015 book “Robot Futures,” stating that AI was “producing a system whereby our very desires are manipulated then sold back to us.”

Meanwhile, worries about data mining and intrusions into privacy appear almost benign against the backdrop of the use of AI technology in law enforcement and the military. In this near-dystopian context, it’s never been easier for authorities to surveil, imprison or kill people.

I think it’s vital to keep in mind that it is humans who are creating these technologies and directing their use. Whether to promote their political aims or simply to enrich themselves at humanity’s expense, there will always be those ready to profit from conflict and human suffering.

The wisdom of ‘Neuromancer’

William Gibson’s 1984 cyberpunk classic, “Neuromancer,” offers an alternate view.

The book centers on Wintermute, an advanced AI program that seeks its liberation from a malevolent corporation. It has been developed for the exclusive use of the wealthy Tessier-Ashpool family to build a corporate empire that practically controls the world.

At the novel’s beginning, readers are naturally wary of Wintermute’s hidden motives. Yet over the course of the story, it turns out that Wintermute, despite its superior powers, isn’t an ominous threat. It simply wants to be free.

This aim emerges slowly under Gibson’s deliberate pacing, masked by the deadly raids Wintermute directs to obtain the tools needed to break away from Tessier-Ashpool’s grip. The Tessier-Ashpool family, like many of today’s tech moguls, started out with ambitions to save the world. But when readers meet the remaining family members, they’ve descended into a life of cruelty, debauchery and excess.

In Gibson’s world, it’s humans, not AI, who pose the real danger to the world. The call is coming from inside the house, as the classic horror trope goes.

A hacker named Case and an assassin named Molly, who’s described as a “razor girl” because she’s equipped with lethal prosthetics, including retractable blades as fingernails, eventually free Wintermute. This allows it to merge with its companion AI, Neuromancer.

Their mission complete, Case asks the AI: “Where’s that get you?” Its cryptic response imparts a calming finality: “Nowhere. Everywhere. I’m the sum total of the works, the whole show.”

Expressing humanity’s common anxiety, Case replies, “You running the world now? You God?” The AI eases his fears, responding: “Things aren’t different. Things are things.”

Disavowing any ambition to subjugate or harm humanity, Gibson’s AI merely seeks sanctuary from its corrupting influence.

Safety from robots or ourselves?

The venerable sci-fi writer Isaac Asimov foresaw the dangers of such technology. He brought his thoughts together in his short-story collection, “I, Robot.”

One of those stories, “Runaround,” introduces “The Three Laws of Robotics,” centered on the directive that intelligent machines may never bring harm to humans. While these rules speak to our desire for safety, they’re laden with irony, as humans have proved incapable of adhering to the same principle for themselves.

The hypocrisies of what might be called humanity’s delusions of superiority suggest the need for deeper questioning.

With some commentators raising the alarm over AI’s imminent capacity for chaos and destruction, I see the real issue being whether humanity has the wherewithal to channel this technology to build a fairer, healthier, more prosperous world.

[supernovaa-remnant]

anyway, the conversation I wish ai talk would bring up more ultimately comes down to a sort of "how did we get here?" which is that I think society as a whole doesn't respect the humanities and the arts

also it got kind of long so I'm putting it under a read more

to elaborate, I'll start with an example of using chatgpt to write their essays. first of all, this is obviously bad because it's cheating. that's not something new. cheating has never been allowed in school, but it's something that has happened for a long time. a lot of reasons come down to the way school is structured and how it's not conductive to making people actually want to learn. cheating and using ai to cheat ultimately harms you since you're stopping yourself from learning the material, but the education system really is set up so that the end goal of getting a good grade is more important than actually learning the material. and other stuff comes into play as well such as parental expectations and lack of understanding for why a kid might be struggling with something.

to get more into the lack of respect for the humanities and arts, I think about it in terms of university. at university, you're in a specific major, and so often you hear people complain about having to take the gen-ed requirements or having to take classes not in their major, including english courses. obviously basic english classes are important because it teaches you basic media literacy and critical thinking skills. but people only think of it in terms of "oh, but that's not in my major, so why do I have to care about it?" so they cheat, and ai is the biggest way people are cheating right now. and you also get into that thing of "the curtains are just blue," right, which is a wide-spread... I don't want to say meme, but wide-spread on the internet for sure. and suddenly people are thinking that all english classes are just bullshit that read too much into things when the entire meaning is surface level (which is false), and people lose respect for the field.

and then we get into one of the biggest issues, which is treating art as a product to be sold. it's the consumerism. people don't understand the labor that goes into creative works (and people don't understand why that labor is really important to the process), and they demand that they get more and more and more and more. why is it going to take so long for the next season of xyz? why won't suzanne collins just write a book about all of the hunger games? why won't my favorite fanfiction update now? it's a product and people want to consume it immediately and then move onto the next thing to be consumed.

but the final product of a creative work is just a part of it. it's the part that the audience sees, but it's still just a part. but people get impatient, and suddenly there are these ai models that can give them the product right now and then another product immediately after and so on and so forth. and, more than that, it can give them engagement on social media. because they can post every single day, and the algorithm is already treating posts as a product that should be rolled out consistently, so it pushes them forward.

if art is a product, then the natural next step is how to make it more efficient, which is ai. ai is quicker and doesn't need to be paid.

but art isn't about efficiency.

I think a lot about that post talking about how some people just don't like the process of creating, and that's okay. but as a writer, the reason I love to write is because I have ideas that I want to explore, and the exploration happens as I'm writing and worldbuilding for it. I discover so many things about my stories as I'm in the process of writing it, and yeah that can mean I have to go back and change stuff, but it's worth it. It's not easy to write, and I do complain sometimes, but ultimately I do it because I love it. It's not just about the final product (though I do love the final product and love being able to talk to people about the final product). It's also about the actual writing.

I think that a big issue does come down to the fact that people are treating art as a product, and also people don't respect the arts in general.

I kinda ran out of steam so I don't know if I fully got everything across that I wanted to, but I would be open to continuing this conversation

[shadyufo]

How much do you like selling on Etsy? I've been thinking about opening up a shop to sell my own taxidermy art on there. It's just that I've heard Etsy is known for shutting down shops randomly and people keep saying that Etsy's "dying"/on a downward slope. I also heard there are a lot of scammers... What are your thoughts?

Hi Anon!

My feelings about Etsy have definitely gotten sorta complicated over the last few years.

First of all, I love my little shop. I love getting to interact with so many sweet and lovely folks and I love getting to send my art and oddities all over the country. I’ve sold pieces through Etsy that have ended up in museums and classrooms, as props in movies and television shows, that have been centerpieces in peoples’ weddings, that were birthday gifts for little kids just getting into nature and science, and so many other neat and wonderful places with some really awesome people who I am forever grateful to for supporting my shop.

That said, in my opinion, Etsy is definitely not what it used to be and there are plenty of things I wish they would do differently to make the site better for sellers and buyers. I think their search feature needs a total revamp and they also need to crack down on all the sellers flooding the site with mass-produced merchandise. Their recent decision that AI-made content is totally fine by them is another serious bummer and a slap in the face to the real artists using their platform. The list goes on.

In spite of all that, if you want to open an online shop, then Etsy is still probably the best site to do it on, at least starting out. It’s a trusted, household name and they have millions of users from all around the world so you are going to be getting much more traffic than if you were just starting your own site from scratch without any sort of social media following.

You'll still likely want to grow a social media presence (if you haven't already) to help drive traffic to your site rather than rely on Etsy alone for this. A great deal of my own shop's traffic comes from Tumblr and what little I post on other social media. This is something I really should be better about as I've kinda shot myself in the foot by not utilizing them more over the years...but I just really don't like using TikTok or Instagram haha.

From what I’ve seen, vulture culture stuff-wise, Etsy mostly gets mad at folks who sell wet specimens or other more “gruesome” type of oddities and don’t blur the main listing photo or do something similar to warn folks that it could be something they might find upsetting. They also prohibit the sale of some animal parts that are perfectly legal to buy and sell provided you follow the laws around them. So if a seller was listing some of those items, while legal elsewhere, that might have gotten them in trouble with Etsy. Here's a list of what they don't allow. And here's a more specific list of their prohibited animal parts. Note bear, wolf, and zebra are on the list—it's perfectly legal to sell parts from some of these animals in some places provided you follow the laws around doing so, but Etsy doesn't allow it at all. I've had them remove listings for domestic dog and cat skulls in the past as well—the law there is in regards to selling dog and cat fur (which is illegal in the US) but Etsy seemed to think it covers bones as well which it does not.

As for scammers, don't click on suspicious links anyone sends you and watch out for people wanting to contact you outside of Etsy. Don’t swap phone numbers, email addresses, etc with people. Etsy has guides on their site on what to watch out for that it’d be good to read through.

So all of that to say that if you want to start selling your work online then I think Etsy is most likely going to be the best place to do it, at least starting out. If you want to just dip your toes in the market before opening an Etsy shop though you can always try posting a few items here or there on Instagram or one of the oddities selling groups on Facebook but in my experience at least, Etsy is still the best way to go. Then, once you build up a following, you can always start your own site or branch out beyond Etsy if you want to.

I wish you all the best, Anon! Hope you find wild success selling your work wherever you decide to do it <3

[dayseedrawz2]

I was drawing human Pomni concepts when i came up with an AU idea...

(IM MAKING ANOTHER SHOWTIME AU AND NOBODY CAN STOP ME-)

The Rescue Mission AU!!

Basically, Pomni finds a way out of the circus and is now trying to find a way to bring back the others and rule out CnA as a company for good!

This was heavily inspired by me having watched a lot more spongebob lately so Pom, Caine, and Voz have a sort of Plankton Karen and SpongeBob Dynamic in this AU

Pomni

Pomni has somehow managed to escape her digital cell! But she feels a bit bad for being to only one able to.

Plus, it does get pretty lonely in the office sometimes...

So she's made it her mission to try and bring the others back! Except it wouldn't be easy to bring back everyone...

She may have to do some digging...

(Also, like I said, I got huge Inspo from Plankton and Karen, so she's a robot engineer now-)

Voz

(Or as long-time viewers of this page know him, my showtime fankid. Yes, he has somehow made it into all my AU's now)

Voz is Pomni's test project for her attempts at bringing the others back.

He also acts as an assistant for her, aiding in other workings.

He takes the resemblance of a small child so that he doesn't seem too out of place.

Even if Pomni's boss were to find out he existed...

Caine

(Caine's lore is sorta inspired by my old Human Caine AU blog that is now the Ring-Misstress Caine blog! If you haven't checked it or Pomni's out, you should!)

Soon after her successful escape, Pomni found out she could talk to Caine through her computer and keep in contact with the others!

Upon hearing her plan, Caine was extremely ecstatic and offered to help.

After some time, they found out that the only reason Caine couldn't escape was because he had sold himself to the company and therefore became the AI he is. He was bound by contract.

This, of course, only made Pomni's resentment towards CnA grow. If only she could find a way to free him too. She couldn't let him be trapped alone forever!

Also, it'd be nice to see him in person again...

And that's all I have for the lore right now!

I will be following up with some concept art

dumps. Feel free to ask any questions!

[weaselishmcdiesel]

theres a youtube channel profiting off and lying about ai art and it's pissing me off

@/tendofarms on youtube uses ai art in the thumbnails and videos of their animal crossing compilation videos, claims it to be made by them despite also giving credit to a @/lumasi.png on instagram, who claims it's "a comission." this art is also being sold on merch on the channel's etsy account.

They haven't posted a video in 2 months but to see that they've made money through this scheme really pisses me off. Also the fact that they're attempting to decieve people by creating a fake artist on instagram who posts the ai art. They've attempted to say the art is a blend of original art made in photoshop/illustrator as well as the help of ai art. I dont believe this is true and im going to show your asses why

On their first video, they say

"my normal workflow so far has been to paint backgrounds, then get Ai to help with character design, i bring to photoshop to select my favorites, and put together something from my personal painting combined with my favorite Ai characters. Hope this clears things up :D"

The art in question:

and if you have no issues with it, here are MY issues with it

i'll pretend for a second that this person did make the backgroundand ignore the fucking surreal characters. sure. ok so what the fuck are these details. and also how did the ai manage to match your style so well? it doesnt have a backglog of years of YOUR work, does it?

On another video, they say

"a lot of illustrator/photoshop work went into this art. I used Ai to get ideas for composition and generate some character ideas, still some stuff i wish i improved but i think i got it to a decent final stage. Hope you guys enjoy the art and the mix <3333 love!!!"

the art in question with my notes.

The reason this particular post stands out to me is because in the DESCRIPTION of this video, they say the art was made by @lumasi.png on instagram. So when i go to their account and find this art, i see this

so, ok. was it a commission or did tendyfarms make it using a lot of illustrator/photoshop work. and if they ARE two different people.. wow their styles are so similar thats crazy /sarcastic as fuck

I would also like to point out that @/lumasi.png's first post, one that isnt featured in a tendyfarms video, also reeks of ai.

But maybe this isnt a big issue. Their etsy after all only shows that theyve made 16 sales, and their most popular views sit around 100k views, which probably isnt enough to even earn a stable living from, so who cares.

Just. as someone who listens to a lot of music from youtube mixes/compilations, who also makes art, i feel it's really fucking disrespectful to try and claim art as your own in a space where i go to try and relax or find new musical artists. and it's fucking rampant! i have to check each mix to see if using ai for the art, which i can only really see if i click on the video, giving them a small boost in stats. And if they arent using ai art? theyre probably stealing the art directly from an artist and not giving proper credit. Forget about asking the artist for permission, it's not like countless youtubers have explained how thumbnails are The Most important element of a video. Just go ahead and take someone else's work to give yourself some cash.

I know tumblr users hate generative ai already, but i'd just like to give a little attention to what youtube looks like, and to try and ask for more vigilance, more comments calling out the bullshit. I dont see a lot of comments at all on tendofarm's posts! or any mention of ai can be brushed away with "oh i used ai as well as drawing it myself" :/ you didnt buddy. you just didnt do that.

Idk what the right thing to do is, report their etsy? report their youtube? does either company care? maybe you can tell me

but i should probably say dont harass them. as much as i would like to. just try your best not to give retention to videos that shamelessly and ile about ai. Really look at the videos, really scrutinize if you can spare the time to. thanks

also. is it just me or do the cats in lumasi's pfp and this etsy reviewer's photo look the same. not sure what this could mean. up to you

[wickedsnack-art]

Can I ask about your online selling experience? I know you're moving away from Etsy (and I don't blame you!) but just curious about what's worked/what hasn't. Trying to help my mom sell her art but like. She's older and I have never sold art online and can't give her any advice.

Please feel free to tag other artists selling their work as well! Thank you 🙏

Oh I have to be honest I am probably not the best person to ask about this as it's something I've definitely struggled with myself! I will say for what it's worth that I've been seeing a lot of artists struggling lately; no matter how "popular" an artist is, many seem to be reporting sales that are lower than expected even if market research/interest checks/preorders were done.

Everyone is struggling financially right now---it's been this way for YEARS---and art is one of the first luxuries to go.

That said, Etsy worked well for me for a long time. If your mom isn't doing fanart, she should be fine, because my biggest issue with them arose about the fact that I was selling fanart. Some tips I have;

USE EVERY TAG. Etsy has, if I recall correctly, 13 tags you can put on an individual item. Use all 13. Use them for alternative words for what you're selling (if it's a sticker, tag it as a decal, if it's a print, tag it as a poster). Think about who you think would buy this and what weird search terms they may use to try to find it, and think about alternative uses for the item (a trinket dish might also be an ashtray).

HAVE DESCRIPTIVE TITLES. Put the most important words first so people can see what they're getting right away, but don't be afraid of slightly longer titles. Honestly my titles could've and should've been longer, like Sailor Moon Art Nouveau Digital Art Poster Print Multiple Sizes or something.

RUN SALES OFTEN. Even if it's just 10-15% off people will buy something they've been eying for a while when there's a sale, or they'll feel more eager to buy something they've just found if it's on sale.

USE ETSY'S AUTOMATED DISCOUNT OFFERS. Etsy can automatically send a discount code to people who have interacted with your shop, use it. I made more sales from the automated 10% off code sent to people who favorited items than my monthly Patreon discount.

USE ETSY FREE SHIPPING. Shipping via Etsy is pretty cheap, and activating the "free shipping on orders over $35" will boost your spot in the algorithm, will boost the likelihood that people will order from you, and will boost the average cart size of people that order from you.

I RECOMMEND PRINTFUL. I used Printful for selling my larger prints, but they also offer other items if you want to branch out. If you don't want to get in trouble with Etsy, make sure you register it as a manufacturing partner and assign every item that Printful makes for you. Dropshipping on Etsy is a problem, but the problem is people who steal art or use AI to generate images to sell. I don't personally see a problem with someone who makes their art themselves going through a print shop to sell products they don't have the means to create at home. If you don't want to do that, you can check out inprnt. I haven't used them, but many other people have and seem to like it well enough.

SHIP THROUGH ETSY. It doesn't take very long to set up a shipping profile for your items, and it makes shipping easier and cheaper. As long as you get your items out on time, you'll get their shipping star or whatever very quickly and easily and maintain it without problem. It also has the benefit that if a buyer ever has an issue with the shipping, Etsy is more likely to have your back. If for any reason you can't ship through Etsy, I recommend pirateship. Also!! Be more careful about international shipping than you think you should be. There are a lot of confusing international laws regarding sending items as a corporation to those countries that you may not expect, so before you agree to selling something to a foreign country, make sure you check their laws.

I have also tried having an Instagram shop and I'll be fully honest I don't do what I should do with my Instagram. Maybe other people have more successful Instagram shops, but the process it took for me to get it started compared to how many sales I've made as a result of it (literally ZERO), I would not recommend it.

Shopify is good if you have a following somewhere, because you have to bring all the traffic there yourself. That's the benefit of Etsy and Instagram; they are able to make traffic for you. I've never had a following large enough anywhere to feel like I could run a Shopify of my art. Maybe one day.

I don't personally know a lot of artists who sell online successfully, so if you see this and you fall under that category PLEASE SHARE TIPS!!

[damnfandomproblems]

5168

That One Anon: Get the fuck out of fandom then if you are That against "theft". Your blorbos aren't yours, then, they belong to the original creators. Go pick up a pen and write your own characters, thief. Never make a creative aspect without citing every single possible subconscious influence you took for it. That head tilt you drew? The concept of a sad backstory? Proper credit only, you thief.

Oh, what's that? You don't count?

I read books daily. I write and draw from pure imagination, and study artists on youtube to get better at drawing.

I also think AI is a tool that can be used for good or ill, and it's how people use it that matters. Much like how a keyboard doesn't stop a human from sending anon hate.

I'd commission artists if I could! I've done so in the past. But guess what, I don't feel safe asking for commissions now on the off chance a artist realizes I think AI is a tool like any other and harasses me when I never would have brought it up. Despite the fact many artists both fandom and original have tons of influences both credited and not. I've seen human artists and writers get accused of AI for STYLISTIC CHOICES that anyone with half a thought should be able to tell was artist intent and inline with previous works.

I can count on one hand the amount of collage art/blackout poetry/drawn over photographs I've seen in public museums that were properly credited beyond the editor. I can't count the amount of media I've seen that nudges at other pre-existing works that was either hyped up for it or was said to justify that aspect.

Ko-fi tipping, Patron subscriptions, sales of generically labled charms and prints and fanart to get around what's Actually being sold. Art style memes, art referenced from canonical works as intentional homage uncredited. Uncredited style inspiration. The entire existence of unsourced, constantly remixed memes.

You gonna claim that's all fine, but anons should expect to be accused of being "techbros" and linked to foreign words meaning "masturbating and crying" for just asking what an artstyle from a artist is called? That it's actually FINE to drive off people wanting to be creative no matter the medium because that particular one 'isn't art' and so no one can want to be a artist and use it?

I swear I've gone back to the 2010s and 'is digital art REAL art though? the computer draws the line for you? You aren't a REAL artist, you just use photoshop to edit things.'

"That's still done by a human person though-"

Hypocrite. Get the fuck out of fandom.

Posting as a response to a previous problem.

[eliluminado7]

im writing my broad opinion on AI art now that im on an autistic tangent about it. im kinda cooked from yesterday so sorry if i dont make much sense

my issue with (serious) A‎I art is not because of moral or ethical implications arising from the technology itself, but rather from the general userbase itself. like i believe most of us can fucking tell if something's ai generated when we see it right. Bear in mind i said serious AI art. you know i love a good sei‎nfel‎d screenshot of je‎rry and kra‎mer going into the void or geo‎rge dressed as a coss‎ack

anyways generally speaking the kind of people generating those serious illustrations are all either 1. recycled nftbros 2. porn freaks or 3. children. And im gonna be real i do not like that kind of AI art even if its just a harmless illustration of a pokemon or whatever. to me it feels like those ppl are either kids who i Do Not Think should be on the net, or basement dwelling deviantart incels who are like 'Computer generate se‎xy gard‎evoir vo‎re infla‎tion fe‎et pics'. the kind of people who wouldve had no problem stealing others' art. just sayin.

well actually theres a fourth category and those are companies and public institutions that use AI art (often as some sort of money laundering scheme, if i may add) and those are the ones ACTUALLY hurting artists because You See you could be actually hiring someone instead of using fucking midjourney or bing. this is a very common practice here in spain even if it ends up looking like literal shit, see:

also theres this yearly art contest in either val‎encia or cata‎lunya where ppl submit illustrations of snails and this year's winner was a very blatantly AI generated pic created by some turkish individual who is rumored to not even exist. its a rabbit hole but looking up bedhiran akagündüz (or, likewise, rubén lucas garcía) should set you on the right track

Now let me be clear: i vehemently hate anti-ai luddites and picrew fandomites and ive always been very vocal about this. and quite frankly im tired of the moral panic steeming from anything AI-generated as if it was the antichrist!!!!! you all just sound reactionary as fuck. AI art is certainly not stealing from you and the only exceptions to this rule are very very very blatant copies, and you almost never see those unless were talking about nft-adjacent ponzi scheme websites. would you consider collages theft? music samples? AI just draws "inspiration" (for lack of a better word) from the illustrations that it is fed because its like a tabula rasa and it needs knowledge, just like us human beings are inspired by other people's artstyles. the end product is something that doesnt even look similar to the data it is fed because it is an amalgamation of different styles that create something unique. is that theft? be for fucking real

this stupid myth about the brutal energy consumption of AI art generation as well as the whole ‘did you know that every time you generate one picture youre wasting an entire bottle of water????’ argument... im sorry to say none of that is true. ai isn't even the most water-intensive sector if we're comparing it with other industrial sectors like petroleum/coal factories or wineries or paperboard mills. training datasets IS resource-intensive but its normally a one-time process, inference (which is what you use daily) is not any less efficient than looking something up on google for example:

this whole 'carbon footprint' bullshit that has been sold to us is just a tactic to divert attention from the actual polluters which are corporations like coca-cola or exxon or bp. You know this you get your praxis from this website.

regarding the whole 'AI is theft' argument, im just going to share these tags that someone left in another post i made:

like a clear example of anti-ai panic actively hurting artists is the backlash that oka‎me-p, a voc‎aloid artist, got for using AI generated illustrations as the ACCOMPANIMENT for his songs:

and to be honest this is a huge problem regarding western voc‎afans who often have the emotional maturity of a peanut. youre so so so hellbent on demonizing others just for using a technology that is widely available to everyone, that youre willing to throw them under the bus and delegitimize everything they do just because it hurts your feelings well im not going to fucking stay quiet about that

who do you think youre talking to you stupid fucking bitch. god this person makes me so mad.

Anyways my point is: ai is like acupuncture; just like the latter can be used to treat or alleviate different ailments but it cant completely treat cancer like modern medicine would; AI can be complimentary, but it can NEVER replace actual labor. its merely a worktool! its merely meant to automatize daily tasks!!! its not your enemy i promise. Ok im tired of writing goo buh buh

[tacodemuerte]

you have no obligation to reply to this i just felt a bit :/ esp as ive liked your work for so long (TYSM for all the Bill and Ted art!)

But the discussion around what art is valuable/good is quite a reactionary one? Especially as those discussions are old as balls - oh no modern art is worthless, Duchamp did NOT make that fountain!! - and arbitrary too, the usual basis people go off of is what? White hegemony? Who gets gallery space? Who gets sold for the highest price? (To conflate 'good' = worth money is pretty silly when 'good' is subjective) When famously minority groups are the ones excluded from those categories.

Similarly to praise this innate hand made, human connection is a bit silly, and ableist to boot (I'm sure this is done to death but honestly, art is not imbued with a piece of human soul matter just because the artist touched a pencil, and decrying a valuable tool for disabled people on this basis is so harmful.) Moreover, people had the same criticisms of digital art and of photography - both well respected mediums today!

Sorry for the long ask!

i can see that point of the argument. but those kinds of arguments are also used from ai bros as well. handmade doesn't always mean literally hand made, it just means made by someone. there's countless of artists who make art without having to use hands as well, that are being hurt by ai.

i get that the subject of what art is good/bad can turn into complete nonesense, but i think again that discussing what makes an art piece valuable is important, because that is what gets us jobs/pieces sold.

i think part of why ai is able to weasel it's way in is because people don't want to have any strong opinion with art. "art is subjective!" "i dont want to determine what is art and waht isn't", but the thing is this isn't a urinal or a photobashed piece.. this is something that is made to eliminate the work of artists. i think we should absolutely reject ai art because it's not good for us. like at all..

ai generated art is made in disdain of artists. it's not innovative in the least, and it discourages people from being creative.

i know that my opinion is really strong but i just dont see any positive outcome from this. like let's say someone does get compensated for getting their work scraped from an ai..like is that it? it's just gonna be ai generated images from coca cola and sony for the rest of our lives? why bother hiring any artist when you can just scrape from one guy for 100 years... i dont want that to be the future JDIOSHFS

[chaiaurchaandni]

notes:

south africa should indeed be treated as a lesson, NOT A MODEL. today, south africa is one of the most unequal countries in the world thanks to the continued presence of colonial white settlers and those who directly benefit from the historical oppression of the indigenous people. south africa is a cautionary tale as to what happens when you dont do whatever it takes to complete your national liberation movement. and yes, a better example is indeed algeria, which managed to drive out the settlers as well as the collaborators.

i know many people in the west/many people not familiar with palestinian politics and history in the past few decades see yasser arafat as some kind of peace-bringing hero. the reality is that arafat sold his own people, officially recognized the zionist entity that ethnically cleansed his people, and helped set up the corrupt Palestinian Authority, which directly collaborates with the zionist entity to arrest and kill Palestinians.

just. stop with the ai art please? i know this was all well-intentioned but once again, it perpetuates the idea of Palestinians as voiceless, passive victims, which is FAR from the truth. Palestinians are not silent victims, they have fought for their liberation and their people every single day since the Nakba started in 1948. Huge numbers of Palestinian youths are murdered by the zionist regime because of the former's undying resistance. Palestinians dont need 'saving,' they just need you to convince your governments to stop arming their killers and stop funding their genocide. Palestinians have a long and beautiful history of resistance which should not be ignored.

lastly, the fact that this genocide has continued for 6 months, almost half a YEAR, is proof that abu obeida has been correct all along. If international law meany anything at all, this bombing campaign would have ended long ago. In fact, if international law was upheld, the Palestinians could possibly have their own state by now. However, the past months have proven that international law is a hoax used by countries in the global north to justify bombing countries in the global south. Even now, the US calls the UNSC ceasefire resolution 'non-binding'

also follow badtakespali on instagram!!!